San Francisco International Film Festival 20 April - 04 May 2006

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FILMS/

THE 12 LABORS

Os 12 Trabalhos

New Directors

Brazil, 2006, 90 minutes

SHOWTIMES

Sun, Apr 29 / 09:30 / Kabuki / LAB29K
Mon, Apr 30 / 07:00 / Kabuki / LAB30K
Sat, May 5 / 04:30 / Kabuki / LAB05K
Mon, May 7 / 09:15 / Aquarius / LAB07A

CREDITS

dir
Ricardo Elias
prod
Van Fresnot
scr
Ricardo Elias, Claudio Yosida
cam
Jay Yamashita
editor
Willem Dias
mus
André Abujamra
cast
Sidney Santiago, Flavio Bauraqui, Vera Mancini, Venessa Giácomo, Francisca Queiroz, Caca Amaral, Lucinha Lins
source
Politheama Filmes, Rua Conde Silvio Alvares Penteado, 56, 05428-040 São Paulo, Brazil FAX: +55-11-3819-6332 EMAIL: producao@politheama.com.br

The 12 Labors

Watch

City of God and Bus 174 (SFIFF 2003) gripped viewers with their chronicling of the poverty, violence, injustice, drug addiction, abuse and police brutality that two million homeless children endure daily in the urban jungle of São Paulo. The equally exciting and eloquent The 12 Labors could be seen as a prequel to Bus 174. "Neighborhoods denote classes, streets denote who you are. Man, depending on where you were born, your story is written even before it starts." Thus begins the account of 18-year-old Heracles, just out of reform school. On his first day as a motorcycle courier, Heracles—like his Greek demigod namesake—must overcome 12 hurdles of increasing difficulty. Fortunately, he receives the help of sympathetic characters who, much like mythic deities, appear when he most needs assistance. Heracles’ struggles render him a faithful embodiment of what the Greeks called pathos, the experience of virtuous struggle and suffering that leads to self-respect, confidence and a sense of possibility, if not fame or immortality. In a metropolis where congested arteries run thick with 300,000 motorcycle delivery boys, Heracles’ own existence reflects the city’s chaos and its youth in crisis. The film’s lyrical. omniscient voice-over narrative counterpoints the hip inner-city soundtrack and energy-infused urban cinematography. Young thespian Sidney Santiago, who deservedly won the Best Actor Award at last year’s Rio de Janeiro International Film Festival, perfectly personifies the somber Heracles, whose imagination, poetic sensitivity and artistic talent may be his salvation.

Presented in association with the Friends of Brazil and with support from the Brazilian Ministry of Culture.

 

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