The Basic Purpose of FIPRESCI is to Support Cinema as Art
By Klaus Eder
Festivals offer an exciting opportunity to become acquainted with world cinema. As film critics, it is our interest and often our pleasure to support national cinema in all its forms and diversity, considering it an important part of national culture and identity.
We do this by writing about cinema in newspapers or specialized magazines, on radio and television or the Internet. And we do it by awarding the best of them (from our point of view) the International Critics Prize (FIPRESCI Prize). This prize is established at
international film festivals, and its aim is to promote film art and to particularly encourage new and young cinema. We hope (and sometimes we know) that this prize can
help films to get better distribution, or distribution at all, and to win greater public attention.
FIPRESCI, the International Federation of Film Critics, has been in existence for more than 65 years. The basic purpose of the organization, which now has members in over 60 countries all over the world (among them, of course, in the U.S., the National Society of Film Critics), is to support cinema as an art and as an outstanding and autonomous means
of expression. We do this for cultural, not political, reasons: Our interest is focused only on cinema itself and its artistic development. FIPRESCI also organizes conferences and seminars and is increasingly playing a part in a number of cultural activities designed
to protect and encourage independent filmmaking and national cinemas. We are cooperating with the European Film Academy and are deciding, within the framework of the European Film Awards, a “Felix of the Critics.”
It is with pleasure that we come to the San Francisco International Film Festival. We are excited to participate in this event with its precious tradition of half a century.
Klaus Eder is the general secretary of FIPRESCI, which can be found on the Web at www.fipresci.org.
Previous Recipients
Half Nelson 2006
Private 2005
The Story of the Weeping Camel 2004
FIPRESCI PRIZE
FIPRESCI JURY
Gerald Peary
Gerald Peary has written eight books on film, is a longtime film critic for the Boston Phoenix, a professor of cinema studies at Suffolk University and a programmer for the Boston University Cinematheque. He currently is completing a feature documentary, For the Love of Movies: The Story of American Film Criticism.
Holger Römers
Holger Römers was born in 1971, earned a masters in film studies at the University of Cologne and divides his time between Cologne and Washington, D.C. His articles on film, photography and the media have appeared in international publications including Cineaste, Film International and Senses of Cinema. He has written book chapters on Spike Lee, Michael Mann, Chinese cinema and Doris Dörrie’s Men. Römers currently is working on an exhibition of Hollywood portrait photography.
Alice Shih
Alice Shih is a Toronto-based film journalist and a board member of the Toronto Reel Asian International Film Festival. She is a regular contributor to CineAction and POV, and her film commentary can be heard on Fairchild Radio, the national Chinese radio broadcaster in Canada. She specializes in world films, especially films from Asia and the Asian Diaspora. Shih also is a filmmaker, writer and story editor.